9x12in, oil on linen mounted to Gatorfoam panel
The first painting from Poland this summer. Just sat in the middle of a barley field. I've been dreaming of coming back to paint before the harvests for a few years, and after seeing Alexandre Calame's painting Summer in Geneva, I decided this should be the year. I love the expansive fields and open skies here. The only challenge is to find some good compositional elements to lead the eye.
Before this summer I didn't know the difference between barley and wheat, and now I do. What I really need to find is rye, since my favorite Shishkin painting is of a rye field. Some of these pieces may turn into larger paintings in the studio.
9x12in, oil on linen mounted to Gatorfoam panel
The first painting from Poland this summer. Just sat in the middle of a barley field. I've been dreaming of coming back to paint before the harvests for a few years, and after seeing Alexandre Calame's painting Summer in Geneva, I decided this should be the year. I love the expansive fields and open skies here. The only challenge is to find some good compositional elements to lead the eye.
Before this summer I didn't know the difference between barley and wheat, and now I do. What I really need to find is rye, since my favorite Shishkin painting is of a rye field. Some of these pieces may turn into larger paintings in the studio.